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Nomadessence

Villa Mundi

Geneva, Switzerland

Category
Residential, Heritage
Size
2,000 m2
Type
Interior Design, Landscape Design, Furnishings & Accessories, Artwork Sourcing

Reynaud Gaillard

Building Architect

Swissroc

General Contractor

Golden Sun

Custom Fitouts

Entrance hall with a concrete staircase rising behind a copper-toned timber screen, three disc pendant lights overhead and a glossy black spherical console on a geometric rug

The challenge in transforming this listed 1958 residence for the World Economic Forum was not simply to preserve a remarkable piece of architectural heritage, but to engage in a dialogue with an existing masterpiece without either imitating it or overpowering it. Echoing the villa’s Cubist interplay of volumes, perspectives and shifting viewpoints, the design introduces a new chapter in which architecture and landscape promote human exchange and growth.

Sitting area with two grey lounge chairs and dark rounded side tables on a textured rug beside a timber-framed window
Exterior of the listed 1958 villa — stacked concrete volumes with a planted green-roof terrace under a clear blue sky

Mondrian Meets Le Corbusier

How do you introduce another layer of life to a modernist icon without disturbing its essence? The answer lay in creating a visual language that connects the original architecture to its new purpose. The Mondrian reference is more than an aesthetic gesture—it becomes the thread that weaves together old and new, architecture and furniture, volume and surface, memory and reinvention.

Glazed corridor lined with a built-in banquette in rust-red cushions, opening through a full-height glass wall to the garden
Bathroom vanity with twin backlit arched mirrors, copper fixtures and a stone counter
The preserved concrete staircase set behind a slatted copper-toned timber screen
Living room with two deep blue upholstered armchairs flanking a low table beneath framed artwork
Detail of three spherical pendant lights — frosted, smoked and mirror-finished — against a patterned tiled wall

Rehabilitating an existing building rather than replacing it is the first act of permanence. Here, that philosophy extends across traditional craftsmanship, recycled and natural materials, responsible technologies and carefully curated artworks, each chosen to honour the spirit of the 1958 residence while carrying it gracefully into the future.

Aerial view of the villa’s terraced rooftops, paved courtyards and gardens stepping through the landscape

Landscape becomes architecture by other means, extending the villa’s language of perspective, geometry and encounter into the garden.

Timber-framed room with two rust-orange armchairs and a black pedestal table beneath ribbon windows
Landscaped exterior stair of concrete steps flanked by ornamental grasses below the timber-clad facade

Preserved from demolition, the original concrete staircase now rises through the landscape as a sculptural landmark, transforming a forgotten fragment of the villa’s history into a gesture of memory and continuity.

Light-filled living and dining space with pale walls, a dark floor and a sculptural sphere seen in perspective
Coloured architectural floor plan of the villa showing living, dining and circulation zones
The project achieves a rare balance between honouring the past and embracing the future.

Hilde Schwab, Project Initiator

Two square framed grid artworks — one cream, one black — mounted on a pale wall
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